Thursday, November 30, 2017

Marsden Hartley

Maddie Fenton
Painting I
Molly Zimmer

Marsden Hartley
Marsden Hartley was an American Modernist painter born in Lewiston, Maine. He was the youngest child in his family and his mother died when he was eight years old. His birth name was Edmund Hartley, but when his father remarried Martha Marsden, he took the name of Marsden when he was in his twenties. When he was fourteen, the rest of his family moved to Ohio, and left Hartley in Maine. He credits a large amount of his work to this experience because it evoked so much pain and loneliness. Hartley is known for his extreme texture and dark palette with oil paint in his paintings. Many critics admire his work for his erotic and deeply expressive and energetic forms. Hartley mainly painted landscapes of Maine’s jagged and rugged coastal terrain and its inhabitants, as Maine was his lifelong inspiration. However, he is also known for his series on Germany, Novia Scotia, and New Mexico.


Mount Katahdin (Maine), Autumn #2
oil on canvas
1939


Church At Head Tide, Maine
oil on canvas
1938


Log Jam, Penobscot Bay
oil on canvas
1940


Canuck Yankee Lumberjack at Old Orchard Beach, Maine
oil on canvas
1940


Storm Down Pine Point Way, Old Orchard, Maine
oil on canvas
1941-1943


Works Cited

Cotter, Holland. “‘Marsden Hartley’s Maine,’ His Muse, First and Last.” The New York Times, The New York Times, 16 Mar. 2017, www.nytimes.com/2017/03/16/arts/design/marsden-hartleys-maine-his-muse-first-and-last.html. 
“Marsden Hartley's Maine.” The Metropolitan Museum of Art, I.e. The Met Museum, www.metmuseum.org/exhibitions/listings/2017/marsden-hartley. 

“Marsden Hartley's Maine.” The Metropolitan Museum of Art, I.e. The Met Museum, www.metmuseum.org/exhibitions/listings/2017/marsden-hartley.

3 comments:

  1. I really like the color palette in Storm Down Pine Point Way. There's not much variation but the depth and value is obviously there and makes it pleasing to look at.

    ReplyDelete
  2. There are different amounts of texture variations in the paintings which makes them compelling. Church At Head-tide is a bit smooth and blended while Storm Down Pine Point Way is very rugged and stiff.

    ReplyDelete
  3. I enjoy the loose feel of these pieces. The brush strokes are not uniform and the perspective is off but they match each other in a unique style. The church piece is the only one that doesn't quite go with the rest because it is a little more tightly painted

    ReplyDelete